For My Father was written with the intention of telling everyone’s story – which in my opinion did exactly that. What can I say? Excitement was already in the air as I stepped into one of the few territories of Port Moresby’s thespians – Moresby Arts Theatre. Prior to attending, I received an informal invite from the writer himself, Andrew Kuliniasi who was also part of the cast. Him being the friend who introduced me to theatre and one of the few individuals who’s influenced me to embrace performing arts, I couldn’t turn down the offer. Knowing Andrew and the kind of material he creates, I knew this show had a powerful setting and message that would resonate with all Papua New Guineans regardless of our diverse ethnicities and cultures. As expected, the play introduced the audience to a classic PNG experience, that is, a haus krai filled with financial burdens and cultural expectations. The cast used the theatre’s lounge as a performance space instead of a traditional stage which was perfect as it created a feeling of involvement between the cast and audience. I remember feeling like I was observing actual family drama violently unfold right before my eyes. For a moment I forgot that this was just a play. My mind however snapped back to the present when I noticed tears streaming down my face. That was when Andrew’s character Elisha delivered a shocking twist amidst the chaos. It was an emotionally charged experience that I still felt even after I stepped outdoors. Brief interviews from audience members followed once I stepped outside. One attendee, a young man named Jurel from Southern Highlands, admitted that it was his first time attending a live theatrical production. He did not hold back from complimenting the cast on their outstanding performances stating that the play left him speechless. Furthermore, he encouraged more Papua New Guineans to watch such productions as it depicts the gritty realities of PNG. Despite the play making references to being set in a coastal environment, aspects of the play are still relatable to him, a person from the Highlands region. His response successfully enforced the writer’s intention of telling everyone’s story regardless of who they are. As I reflect on my experience, I must admit, For My Father could potentially become one of PNG theatre’s timeless masterpieces. This play not only addresses pressing issues in the country but also challenges the underlying culture of shame towards certain subjects that permeates our traditional communities but has also seeped into modern society. An art that shows the complexities of life and human nature while also being relatable to a local audience, For My Father is truly a voice for all Papua New Guineans.