Creator: Liklik Media Release Date: Wednesday May 27th, 2026 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi Conflict stirs among Maria’s community as rumors of Daniel’s work threaten to destroy their livelihood. The characters delivered a mix of performances. Nellie Seta’s acting was noticeably more emotionally charged compared to previous episodes, driven by unfolding conflict. In contrast, Angeleen Sapsi, appears to really enjoy playing the devious Jessica. She displays confidence in her cruelty, turning menace into performance art. Meanwhile, the supporting characters’, appeared flat and disengaged; their dialogue felt stiff, as if recited from memory rather than lived in the moment. The dialogue felt stiff, like memorized recitation. Despite some compelling performances, particularly from Angeleen Sapsi, the inconsistent acting among the supporting cast weakened the overall impact of the episode. Regarding camerawork, every episode suffered from the same recurring issue; awkward camera placement that made the production feel amateurish. The storyline is missing key details, leaving critical questions unanswered. Daniel’s occupation remains unclear, as does Jessica’s professional connection to him. We do not learn the name of Daniel’s company or what it does. While Maria’s character and struggles are well established, Daniel’s role as an heir to a company is underdeveloped, making it difficult to fully understand his motivations or the stakes of the conflict. Final Verdict: Main character’s background is underexplored. ★☆☆☆☆ (1/5) More development on Daniel and Jessica is needed.

Creator: Liklik Media Release Date: Wednesday May 27th, 2026 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi Conflict stirs among Maria’s community as rumors of Daniel’s work threaten to destroy their livelihood. The characters delivered a mix of performances. Nellie Seta’s acting was noticeably more emotionally charged compared to previous episodes, driven by unfolding conflict. In contrast, Angeleen Sapsi, appears to really enjoy playing the devious Jessica. She displays confidence in her cruelty, turning menace into performance art. Meanwhile, the supporting characters’, appeared flat and disengaged; their dialogue felt stiff, as if recited from memory rather than lived in the moment. The dialogue felt stiff, like memorized recitation. Despite some compelling performances, particularly from Angeleen Sapsi, the inconsistent acting among the supporting cast weakened the overall impact of the episode. Regarding camerawork, every episode suffered from the same recurring issue; awkward camera placement that made the production feel amateurish. The storyline is missing key details, leaving critical questions unanswered. Daniel’s occupation remains unclear, as does Jessica’s professional connection to him. We do not learn the name of Daniel’s company or what it does. While Maria’s character and struggles are well established, Daniel’s role as an heir to a company is underdeveloped, making it difficult to fully understand his motivations or the stakes of the conflict. Final Verdict: Main character’s background is underexplored. ★☆☆☆☆ (1/5) More development on Daniel and Jessica is needed.

The National Government will revisit its controversial decision regarding the hosting rights of the 2028 PNG Unity Games following concerns raised by the East Sepik’s leaders in Parliament today.Member for Wewak, Stanley Muts Samban questioned the Minister for Higher Education, Research, Science, Technology and Sports, Kinoka Feo’s decision to remove East Sepik Province’s hosting rights for the 9th PNG Unity Games during parliament seating on Wednesday May 27th, 2026. He is arguing that the province had lawfully secured the bid through a signed agreement with the PNG Sports Foundation having fulfilled all requirements to host the Games, including paying a K50,000 bid fee and an additional K2 million to secure the hosting rights. He said preparations and infrastructure planning were already underway in the province before it was announced that the Games would instead be shifted to Southern Highlands Province. “The people of Wewak and East Sepik Province clearly won the democratic bid to host the ninth PNG Unity Games.” “We followed the rules, signed a legally binding host contract agreement with the PNG Sports Foundation and invested millions of kina into preparations.” Samban questioned the legal authority behind the decision, asking why East Sepik was being penalized for issues relating to venue readiness and project delays elsewhere. He further called on the Government to either reverse the decision and engage in consultations with East Sepik leaders or compensate the province for funds already committed to preparations. Responding to the concerns, Minister for Higher Education, Research, Science, Technology and Sports Kinoka Feo acknowledged the issue and confirmed that the matter would be taken back to Cabinet for reconsideration. Feo said the original submission he had presented to Cabinet was intended to maintain the existing arrangement for East Sepik to host the Games. “Again, I want to make it clear that the decision was taken in the Cabinet room.” “Of course, the intent of the submission I took was a bit different. It was maintaining what we agreed to.” The Minister said discussions had already begun with the PNG Sports Foundation and the PNG Games Council to reconcile the matter. “I have instructed my CEO to take a paper back to Cabinet again just to reconcile this conflict.” Feo added that the Government would work towards a solution and make an announcement once consultations and reviews were completed. “As the Prime Minister always says, we are only human, we make mistakes.” “But this one was taken in full totality of all the conversations and issues that needed to be considered.”  “In due time I will be able to announce the solution going forward.”

Women’s empowerment and gender equality were at the center of discussions during the recent launch of the inaugural PNG Contemporary Bilum and Arts Festival in Port Moresby city.The festival was more than a cultural showcase; it was a platform to empower women socially and economically through traditional art and entrepreneurship. The launch brought together women leaders, cultural advocates, corporate supporters, and government representatives who pledged support for initiatives that strengthen women’s participation in business and community development. Among them was Lady Emeline Tufi Dadae, who expressed her appreciation towards PNG’s iconic cultural item. “The bilum is not only art. From start to finish, the finished product tells a story, demonstrates outstanding skills, and an intricate understanding of unique styles and patterns.” “Knowledge of bilum weaving has been passed on from many generations. It is part of the unique cultural heritage of Papua New Guinea.” Meanwhile NCD Governor, Powes Parkop, emphasized that bilum weaving has long been connected to the lives of Papua New Guinean women and families. “Bilums have protected infants – supported life – carried food and personal items.” “It’s a biological reference to the womb.” He also described the festival as a “powerful combination” that promotes both bilum as a national cultural representation and the role of women as the backbone of communities and families across the country. During the launch, concerns were also raised about the gap between policies supporting gender equality and the realities faced by women in the country. Governor Parkop said Papua New Guinea has constitutional goals promoting equality and participation, but stronger commitment and consistent action are needed to achieve actual change. Calls were made for the revival of the National Council of Women and the implementation of clear strategies to support women’s development nationwide. The National Capital District Commission also highlighted its 10-year Women’s Development Plan focused on creating safer and more supportive environments for women operating in city markets. The PNG Contemporary Bilum and Arts Festival has now been officially recognized by the National Cultural Commission as a national sanctioned cultural event.

Since 2004, the Anglican Church’s Adult Literacy Program has been helping individuals past school age, learn how to read and write but still face challenges to this day. Recently, church leaders from PNG and Australia gathered at Begabari, North Waigani in Port Moresby city to see how churches were helping communities. Church Partnership Program Coordinator George Michael Ambo said the Anglican Church’s literacy program began with a two-year curriculum but faced challenges in monitoring and sustaining schools across the country. Mr. Ambo said the program initially operated about 152 schools, many in remote areas, making monitoring difficult due to geographical challenges. “In 2014 to 2016, we tried to shift the way we do things by coming up with the Empowering Melanesian Adult Literacy curriculum, but that still did not work.” Through a partnership with the Building Community Engagement Program (BICEP), the Anglican Church later developed a new nine-month curriculum focused on basic literacy, post-literacy, and functional literacy. Mr. Ambo said the revised curriculum equips learners with reading and writing skills while also preparing them for employment or re-entry into formal education through Flexible Open and Distance Education (FODE) or TVET. “We’re getting learners to actually learn how to read and write and find employment after nine months or go back to formal education as well.” The literacy schools also provide small and medium enterprise (SME) training and partner with the Department of Agriculture and Livestock to introduce smart agriculture projects in rural communities. The functional literacy component includes lessons on nutrition, climate change, and identifying suitable cash crops that can generate income for households and communities. Mr. Ambo said the program is inclusive and caters for people with disabilities, women, and vulnerable groups. “Our curriculum is inclusive. We have disability-inclusive lessons, and we also focus on vulnerable and marginalized populations, especially women and young girls.” He acknowledged that infrastructure remains a challenge, particularly in urban settings, as many centres are not yet fully accessible for people with disabilities. The Anglican Church is now planning improvements under the next phase of the Church Partnership Program to make facilities more inclusive. Volunteer teachers are recruited from Grade 10 and Grade 12 graduates and undergo two weeks of training through the National Literacy Awareness Secretariat before being certified to teach. Mr. Ambo said the Anglican Church is also working closely with the National Department of Education to support the development of a national literacy policy, which is expected to be launched during Literacy Week in September in Popondetta, Oro Province. The program currently operates nine literacy schools nationwide, including three in Port Moresby, five in Oro Province with plans to expand further. Mr. Ambo said learner retention and sustaining teachers remain major challenges, particularly because many schools rely on donor funding. To address this, the program has introduced economic empowerment projects in communities to help sustain schools and teachers. One successful example is in Katima, Oro Province, where literacy learners have been trained in cocoa farming, rice farming, poultry, and piggery projects through partnerships with the Department of Agriculture and Livestock. The urban literacy schools charge a fee of K150 per learner, payable in instalments over nine months, while most rural centres provide free education services. Graduates receive recognized certificates signed by the National Literacy Awareness Secretariat, the program coordinator, and Anglican bishops, allowing some learners to continue into formal education pathways. Mr. Ambo said the literacy program has already produced many success stories, with former learners progressing into Grades 8 to 11 and others finding employment opportunities.

The inaugural PNG Contemporary Bilum and Arts Festival in Port Moresby city, was launched on Sunday May 24th with National Capital District (NCD) Governor Powes Parkop calling for the event to become a permanent national platform promoting culture, tourism and women’s empowerment.Governor Parkop acknowledged the support of women leaders, corporate sponsors and cultural stakeholders who contributed to bringing the festival to life for the first time in the nation’s capital. The event was attended by Lady Emeline Tufi Dadae, representatives from the National Cultural Commission (NCC), the National Capital District Commission (NCDC), corporate sponsors and women’s associations. During his address, Governor Parkop described bilum as one of Papua New Guinea’s most important cultural symbols. “Bilum is not found anywhere else in the world except this island of New Guinea.” “It defines Papua New Guinea. When you see bilum, you know it is Papua New Guinea.” Additionally, it is also unique to the women of Papua New Guinea who continue to preserve and promote the tradition. “That’s the important combination we’re witnessing now. The bilum not just as a symbol but as an item unique to PNG women.” He said the event also serves as a platform for women’s economic empowerment, particularly for women involved in weaving, small-to-medium enterprises and cultural entrepreneurship. Governor Parkop stressed that the festival should not remain a one-off event but become an annual national cultural showcase hosted across different provinces. “This initiative must not be a one-off event. It must become an annual event.” The National Cultural Commission (NCC) officially certified the PNG Contemporary Bilum and Arts Festival as a recognised national cultural event. The launch also recognized pioneers who have promoted bilum internationally, including PNG designer and cultural advocate Florence Jaukae Kamel, who was commended for showcasing bilum on global fashion platforms. Governor Parkop also called for stronger national commitment towards gender equality and women’s empowerment. Cultural initiatives such as the bilum festival can help create economic opportunities for women while preserving Papua New Guinea’s traditions.

Creator: Liklik MediaRelease Date(s): Friday May 22nd, 2026; Sunday May 24th, 2026 Episodes Reviewed: Episode 4 & Episode 5 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi, Carlos Zeng EPISODE 4: WHISPERS AFTER THE RAIN Rumors spread of Maria’s (Nellie Seta) alleged affair with Daniel (Joseph Paul) leading to her being shunned from the marketplace. In this episode, Jessica’s (Angeleen Sapsi) antagonism towards Maria has shifted from basic passive-aggressive commentary to outright cyberbullying – a classic tactic of harming someone in the digital age. The character herself uses a lot of self-talk. An unnecessary element since Angeleen Sapsi is a strong performer who does not need much dialogue to portray Jessica effectively. A new character is introduced towards the end, Blaise (Carlos Zheng) – Maria’s coworker. Daniel’s profession is still vague. What does he do exactly? What position does he hold? Is he a businessman, a project manager, an executive? Obviously, he is someone who holds a high position, but other than that, his occupation remains unclear. Close-up shots need to be utilized in conversation scenes. EPISODE 5: DON'T TRUST JESSICA Jessica (Angeleen Sapsi) sows’ distrust between Daniel (Joseph Paul) and Maria (Nellie Seta). A new love rival steps into the picture. We see more of Blaise (Carlos Zheng) in this episode; however, his brief interactions seem more like a concerned brother than a love rival. If he is to cement his position as a potential suitor for Maria, he needs to step up his acting, hopefully in the next episode. Final cut was quite disappointing because of minor errors that could be easily avoided or reshot. For instance, when Joseph Paul’s character, Daniel hands over a report to Jessica and says, ‘Evolution Report’ instead of ‘Evaluation Report’. Again, close-ups need to be utilized during conversation and confrontation scenes. Final Verdict: Camerawork need improvement to enhance production appeal. Main characters need to step up their acting as they keep getting overshadowed by the antagonist as well as supporting and minor characters. Minor errors could’ve been avoided. Episode 4: ★★☆☆☆ (2/5) Episode 5: ★⯪☆☆☆ (1.5/5) Overall: Still interesting but technical aspects need to be better.

Creator: Liklik Media Release Date: Wednesday May 20th, 2026 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi Main antagonist, Jessica (Angeleen Sapsi) begins to stalk Maria (Nellie Seta) as Daniel’s affection for her becomes obvious. This episode was disappointingly 2 minutes shorter than previous instalments. Camerawork when filming two people with height differences need improvement. A medium two person shot, close ups or a creative shot could’ve worked better. The over the shoulder shot with Maria as the focus places her at an awkward position where her face is covered by subtitles. Nellie Seta’s performance in this episode wasn’t her best. Her delivery of dialogue was flat and unnecessarily prolonged. Final Verdict: Too short for an episode. ★☆☆☆☆ (1/5) Skippable.

The long-standing sister-city relationship between Port Moresby and Shenzhen continues to deliver tangible benefits in education, as confirmed at Butuka Academy in Port Moresby during a recent official visit. Welcoming a delegation from Shenzhen, National Capital District (NCD) Governor Powes Parkop, described the academy as a major symbol of cooperation between the two cities since the partnership was established in 2016. Speaking at the school, Governor Parkop said the institution had grown into more than just an educational facility, describing it as a “manifestation” of the growing relationship between Papua New Guinea and China. The academy, which combines elementary, primary, and secondary education, has become one of the country’s leading schools academically, ranking among the top secondary schools in national assessments. Governor Parkop credited the school’s success to significant investments in infrastructure, equipment and teacher training, including Mandarin language education. Students at the academy are now actively learning Mandarin and engaging with sister schools in Shenzhen through exchange programs and educational visits. He noted that students visited Shenzhen in 2024, strengthening cultural and educational links between the two cities. “It is an investment not only in our two cities, not only in our young people getting a good learning and teaching environment, but an investment that will strengthen the bond between our two countries.” The partnership also highlighted broader diplomatic ties between PNG and China, which date back to 1976 when PNG formally established diplomatic relations with the People’s Republic of China. “One of the first countries that we established a relationship with was the People's Republic of China.” “Our government then made a decision that we are going to recognize the People's Republic of China as the proper and meaningful country, representing the people of China. “We have maintained that up to now.” The delegation was also thanked for the role played by several Chinese partners in developing the school, including China Steel Corporation and the Shenzhen Special Economic Zone Development Corporation.

Creator: Liklik MediaRelease Date: Sunday May 17th, 2026 Cast: Nellie Seta, Joseph Paul, Angeleen Sapsi After Maria (Nellie Seta) takes petty revenge on Daniel (Joseph Paul) by overcharging a coconut, the duo end up meeting once more at Maria's workplace. Maria demonstrates professionalism despite their initial unpleasant meeting, leading Daniel to seek out her assistance in relation to his job. The two begin to bond but this catches the attention of Jessica (Angeleen Sapsi), – one of Daniel’s colleagues. Jessica, the main antagonist’s introduction is underwhelming. But depending on how her storyline unfolds and how she plays her character, she could either become the most favorite or the most hated. Embracing the passive-aggressiveness of female bullying and manipulation could be the character’s greatest strength. Daniel’s assistant in this episode, had more personality than the main character, and easily steals the show. Certain scenes need better camera work. The market scene, where Daniel and Maria sit side-by-side shows too much headroom, making the characters seem isolated and the shot amateurish. Too much handheld camerawork. A steady POV shot, close ups and over-the-shoulder shots would enhance the film. On the other hand, the actors’ authenticity in the final scenes, (i.e. Daniel almost falling off a chair) added to the film’s charm. Whether that fall was scripted or not leaving a very realistic in the final cut adds enriches a film instead of diminishing its appeal. Final Verdict: Needs better camerawork. Characters have the potential to either repel or captivate their audience. Supporting character stole the show. ★★★☆☆ (3/5) Main character’s need to step up their performance

Senior Australian faith-based non-government organizations (NGO) leaders today joined Papua New Guinean Church leaders in Port Moresby, to visit frontline Church-led community programs supported by the Australian government. The visit brought together Reverend Dr. John Dean, Executive Director of the Anglican Board of Mission, and Melissa Lipsett, Executive Director of Baptist Aid Australia, along with leaders from PNG’s mainline Churches to see first-hand how Churches are working to improve lives in PNG communities. The delegation visited the Anglican Church of Papua New Guinea Literacy School in North Waigani Port Moresby, where church-led adult literacy programs are teaching people to read, write, and gain essential life skills. The school supported through the Church Partnership Program, works with PNG churches and Australian faith-based organizations to strengthen service delivery in education, health and social inclusion. Acting Archbishop of the Anglican Church of PNG, Rt. Rev. Bishop Nathan Ingen, who was also present at the event, spoke about literacy in adults being a positive influence in their lives. “Adult literacy is not only learning to read and write, but also about restoring dignity, empowering families and opening doors for people to participate meaningfully in society, church life and nation building.” “Many lives have been renewed with confidence, hope and opportunity.” Craig Gillies, Counsellor – Subnational, Humanitarian and Accountability, Australian High Commission, echoed similar sentiments. “It is no exaggeration to say that this school changes people’s lives.” “It is giving people the tools to learn, to grow and to seize new opportunities for themselves and their families.” The group also visited St Therese Urban Clinic in Hohola, run by Catholic Church Health Services, which provides essential medical care to people living with HIV through support from the PNG-Australia Transition to Health (PATH) program, reflecting Australia’s continued partnership with PNG churches in delivering trusted, community-based health services. Melissa Lipsett said the visits clearly showed the practical impact of cooperation between PNG’s churches and their Australian faith partners. “In Port Moresby today, I have seen what faith in action looks like.” “Together, Australians and Papua New Guineans are translating their shared values into practical support for those that need it most.”

Director: Antoine FuquaCast: Jafaar Jackson, Nia Long, Coleman Domingo, Juliano Valdi Rating: PG-13 | Genre(s): Biographical, Musical, Drama| Run Time: 2hr 7min MORE LIKE AN UNTOUCHABLE STAR – LESS OF A PERSON “Michael (2026) dazzles with the glitz and genius of the King of Pop, but behind the iconic moves and legendary hits, the man himself remains a mystery.” From playing gigs with his brothers in Gary, Indiana to selling out world stages as a solo act, Michael (2026) recounts the story of one of the most influential and powerful global superstars in Pop music – often dubbed “The King of Pop” – Michael Jackson. Jaafar Jackson’s performance as the world renowned ‘King of Pop’ was nothing short of immaculate, mastering the superstar’s voice, to his mannerisms and overall presentation. Although falling short in certain complex choreography, Jackson still delivered outstandingly as adult Michael. His passion and hard work were clearly demonstrated in the film. Undoubtedly one of the best individuals to portray Michael Jackson. Juliano Valdi, who played younger Michael Jackson, also delivered exceptionally well, capturing the innocence of Michael’s childhood suffocated under the intense pressure of performing as a lead in the Jackson’s Five. Valdi’s performance will tug at the heartstrings of audiences as his character navigates between wanting a normal childhood versus growing up under an abusive totalitarian father. The film recreates many iconic scenes including ‘Thriller’s music video, ‘Beat It’ rehearsals and even the traumatizing Pepsi Commercial Incident. Costuming was precise, capturing the 1960s common fashion trends leading up to the King of Pop’s signature wardrobe and accessories. Although Michael was faithful to portraying the global superstar as the icon, he truly was, the storyline remained tame. There was a lot of exploration on Michael’s professional life but not much on his personal life – the complexities he faced, growing up in an abusive home and transitioning to a global superstar. It leaves watchers wanting to see more of Michael Jackson as a person instead of just an untouchable performer. Final Thoughts: Michael is an outstanding film on the King of Pop’s rise to stardom. However, if viewers want a film that truly tells the story of Michael Jackson as a person with flaws, this production leaves much to be desired. Rating: 3.7/5 ★★★✪✩ Best enjoyed for entertainment and nothing more.